v Spy v Spy - Little More history
Aside from Midnight Oil, vSpy vSpy are arguably one of Australia's
most politically-oriented rock bands. While Midnight Oil's politics
were those of conscience, Spy Versus Spy were outspoken
representatives of The Street. Primarily they started out as the
voice of the homeless squatters of early eighties Sydney, but their
songs spoke for everyone who felt under the thumb of The System.
They told true stories of common struggle that polite Australia
didn't necessarily want to be hear. The original group came from
separate corners of the world. Guitarist Mike Weiley arrived in
Sydney from London and almost immediately found a soul-mate at
Nelson Bay High School in would-be bassist/singer Craig Bloxom.
American Craig had studied in Alaska for a time, but arrived in NSW
in his teens via WA. The group's token Australian, drummer Cliff
Grigg arrived in Sydney from the Armidale NSW, and settled in an
inner suburban squat in Glebe that didn't even have a roof when he
first moved in.
From the day they met at high school Mike and Craig had talked about
music and in around 1980 started talking about forming a band
together. Cliff heard about it though mutual friends and Spy V Spy
was born. To save on rent and keep from having to find day jobs Mike
and Craig moved into Cliff's squat. They took the name from a
regular strip in Mad magazine. Living in a squat had other
advantages. They were able to rehearse almost every day. One day
they received a call from the Sussex Hotel asking them to fill in
for a band who couldn't make it, and Spy V Spy performed their first
gig. In the beginning their music style was dominated by the ska
sound popular in inner Sydney pubs at the time.
A year into their life the band recorded its first single. Michael
Hutchence of INXS offered to produce, but they turned him down. The
single 'Do What You Say' was followed by an EP, 'Four Fresh Lemons',
both recorded for friends on an independent label, Green. The EP's
original pressing was a limited release of 1000 copies. They sold
out in 5 days. But the band expected something else to happen, and
broke up shortly afterwards. It took just a few months to realize
that Spy V Spy was more fun than the bands they were now playing
with, and Spy V Spy reconvened in July 1983 with second guitarist
Marcus Phelan. The ska had been dropped for a more straight-ahead
rock attack.
In 1983 Weiley became sick with hepatitis and confined to a hospital
bed for a considerable time. Their equipment was stolen. Phelan
left. Things changed with the help of Midnight Oil's Peter Garrett,
who'd become a fan and would attend every performance he could. Now
called vSpy vSpy to avoid legal action from Mad magazine, the group
acquired Midnight Oil's manager Gary Morris and released the
mini-album 'Meat Us Inside' and its single 'One Of A Kind'. Their
first album 'Harry's Reasons' contained the singles 'Injustice'
(about the Aboriginal struggle) 'Something' (directed at the media)
and the title track, dealing with a friend's misuse of heroin. Harry
was a euphemism for the drug.
For their next album vSpy vSpy moved from Midnight Oil's Powderworks
label to WEA. This album, 'A.O. Mod. TV Vers.' (standing for Adult
Oriented Modified TV Version), contained their "hit" record 'Don't
Tear It Down', a plea to the developers bulldozing historic Sydney,
and a ode to the scourge of the day, 'Credit Cards'. 'A.O. Mod. TV
Vers.' earned vSpy vSpy a platinum record. Without warning, the
record company demanded a new album, and within six weeks the band
wrote and recorded 'Xenophobia (Why?)'. The title was inspired by
the mood around Australia's Bicentennial year, but the messages in
the songs were universal enough to see the album released in 14
other countries. 1989's 'Trash The Planet' was recorded in England
at Richard Branson's Manor House studios. Branson kept Irish
Wolfhounds as pets at the Manor, one of which savagely attacked
Craig.
Cliff Grigg was desperately unhappy with his drums sound on that
album. His departure from the band at the end of 1991 led to a
year's absence from live performances. Mike and Craig took the
opportunity to move to Queensland and went through a period of
search and trial of new drummers until their support of a best of
collection in June 1992 saw the group's return, with Mark Cuffe on
drums. In 1983 the vSpy vSpy signed a new contract with Sony, and
released 'Fossil', written in the studio in 1994.
In 1995 - back to calling itself Spy V Spy, the band traveled to
Brazil to follow-up on a strong fan base established there through
the surfing community. Mike stayed behind, while back in Australia,
Cliff Bloxom and Mark Cuffe teamed up with Icehouse house Paul
Wheeler to form a new group, the Shock Poets, allowing Cuffe to
leave the drums for the microphone. More Brazil tours followed, and
the two groups existed concurrently. In 1997 Mark left to dedicate
himself to Shock Poets (he'd never quite fit in) while Craig left
that group to dedicate himself to vSpy vSpy. Paul Wheeler was named
as vSpy vSpy's new drummer.
Mike Weiley & Mark Cuffe kept touring
Australia as “Nu-Spys” playing all the old hits and some new
material. Craig Bloxom has left the band and was
living in Mexico, working as a professional chef. Spys music lives
on through these albums, mostly unavailable except online through
fans and the magic of the internet.
These days Mike continues to play in a Spy v Spy
band that have recently toured Brazil and various places throughout
Australia.



